Terrorist, by John Updike
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Terrorist, by John Updike
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The ever-surprising John Updike’s twenty-second novel is a brilliant contemporary fiction that will surely be counted as one of his most powerful. It tells of eighteen-year-old Ahmad Ashmawy Mulloy and his devotion to Allah and the words of the Holy Qur’an, as expounded to him by a local mosque’s imam. The son of a bohemian Irish-American mother and an Egyptian father who disappeared when he was three, Ahmad turned to Islam at the age of eleven. He feels his faith threatened by the materialistic, hedonistic society he sees around him in the slumping factory town of New Prospect, in northern New Jersey. Neither the world-weary, depressed guidance counselor at Central High School, Jack Levy, nor Ahmad’s mischievously seductive black classmate, Joryleen Grant, succeeds in diverting the boy from what his religion calls the Straight Path. When he finds employment in a furniture store owned by a family of recently immigrated Lebanese, the threads of a plot gather around him, with reverberations that rouse the Department of Homeland Security. But to quote the Qur’an: Of those who plot is God the best.
Terrorist, by John Updike- Amazon Sales Rank: #8299483 in Books
- Published on: 2015-09-22
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 9
- Dimensions: 5.00" h x .80" w x 6.00" l,
- Running time: 10 Hours
- Binding: Audio CD
From Publishers Weekly Updike's latest offers up a probing post-9/11 history lesson on America—its mythology and street realities, religious attitudes, and the myriad nationalities that have borne this country fruit. Lane has his work cut out, and for the most part delivers. He contends with multiple foreign accents and American dialects, not to mention gospel singing and Arabic recitations of the Koran. The tale follows a righteous Muslim teenager named Ahmad, an (Irish-Arab) American born and bred in northern New Jersey, and his seemingly inevitable journey toward a domestic suicide attack. Ahmad's Irish mother, Jewish guidance counselor and Lebanese employer/handler are all rendered with distinction by Lane. But Ahmad's accent is odd and hard to trace, almost seeming to contain a Dixie influence. Lane voices an African-American schoolmate in similar style, creating the potential for confusion when the two interact. Phone calls, snippets of TV shows, speeches and sermons are treated with a through-a-speaker effect that is sometimes disconcerting. But it doesn't detract from a generally rich audio experience, one built on diverse narration and ethnically sprawling storytelling. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine Not only does John Updike write tales of suburban angst; he also has a long history of ruminating on faith. Critics compare his latest novel to In the Beauty of the Lilies and The Coup except that Terrorist has an intensely contemporary flare. It's almost scandalous to see one of America's literary lions toying with such an inflammatory topic—and in the guise of a thriller, no less. The litmus test of his success with Terrorist is whether he answers the central question: What drives someone to become a terrorist? Terrorist is exceedingly well researched, and Updike writes beautifully. Still, many reviewers criticize Updike for creating Ahmad as a puppet rather than a character. That a puppet is exactly what his Imam wishes him to be begs the question whether Ahmad is a successful creation or just a thin caricature.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist *Starred Review* Updike is never static; over the course of his long career, he has not only mastered various literary forms but also tackled a wide variety of subjects as material for his fiction. His new novel, swift, sinewy, and stylish, represents another big leap. In the hands of a lesser writer, such a risky topic and premise easily could have come across as presumptuous. Ahmad, an 18-year-old high school student, is the son of an Irish American mother and an Egyptian father. He has taken up the Islamic faith of his father so completely that he is obsessed with distancing himself from the unclean infidel, which is how he views the New Jersey community in which he lives. The high-school guidance counselor, who attempts to steer young Ahmad in a direction he feels is more suitable and productive, is a compelling and oddly attractive supporting character, who, as it turns out, plays a vital role in a deadly plot into which Ahmad tumbles like the naive, easily manipulated adolescent he is. This marvelous novel can be accurately labeled as a 9/11 novel, but it deserves also the label of masterpiece for its carefully nuanced building up of the psychology of those who traffic in terrorism. Timely and topical, poised and passionate, it is a high mark in Updike's career. Brad HooperCopyright © American Library Association. All rights reserved
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102 of 112 people found the following review helpful. A qualified "thumbs up" By B. McEwan This is a tough call, but on the whole I am giving this novel 4 stars because it successfully held my attention, got me engaged in trying to understand the characters' motives and is beautifully written. Having said that, I want to acknowledge that many of the criticisms leveled here by other Amazon reviewers do have merit, primarily the charge that Updike's characters are often stereotypical. Of interest to me is that, while many reviewers complained about the stereotypes of fat wives, Arab-Americans and single mothers, I didn't notice any comments on the characters of African-American school girl Joryleen and her boyfriend, who is named "Tylenol," of all things. But in any case, since the stereotype issues have been well covered by other reviewers, I'm going to let that go and focus on what I see as the positives of this novel, and there really are quite a few.For one thing, I like the fact that Updike chose this very difficult topic to write about and also made obvious efforts to understand aspects of Islamic-American culture that are doubtless utterly foreign to him. An author of his standing could just coast for the rest of his career, but this writer chose to stretch himself and try to get inside the mind of a character that represents a far more complex America than that of Rabbit, for example. This is an America that we had all better take a shot at understanding, since this is the one we are living in today, and will have to go on living in for some time to come. Believers in Islam are here and they are becoming an ever more important force in the polyglot US -- AND it is pretty clear that many of these folks are severely disaffected from the mainstream culture. *If* this alienation tends to encourage violent actions, then those of us who are of the so-called "majority" culture had better spend some time trying to understand why that is, and think about how we can help these new US residents succeed here. (That's a big IF, since it seems perfectly plausible to me that cultural alienation does not lead to "homegrown" terrorism at all. But for the purposes of this review, I am assuming that it could.)Another positive of this novel is that it is beautifully written and highly evocative of place. The place happens to be a depressingly urbanized New Jersey, so it's easy to miss the power of Updike's descriptions, but consider this passage: "...the sky cloudless but for a puffy far scatter over Long Island, the ozone at the zenith so intense it seems a smooth-walled pit of blue fire, the accumulated towers of lower Manhattan a single gleaming mass, speedboats purring and sailboats tilting in the bay, the cries and conversation of the tourist crowd making a dapple of harmless sound around them. 'This beauty,' Ahmad thinks 'must mean something -- a hint from Allah, a foreshadow of Paradise.'As for the criticism that Updike is anti-American and using the character of Ahmad to voice his own complaints, I counter by saying that it's important for us Americans to be more self-reflective than we may find comfortable, and that Updike is contributing something useful by raising important moral and ethical challenges to our behavior as a nation in the world. Take for example this line from pp. 198-9 of the novel: "[True adherents] believe that a billion followers of Islam need not have their eyes and ears and souls corrupted by the poisonous entertainments of Hollywood and a ruthless economic imperialism whose Christian-Jewish God is a decrepit idol, a mere mask concealing the despair of atheists."Granted, that is powerful stuff and certainly discomfiting. But if one reads any of the world's press at all, it is pretty clear that this is the image that many people have of America, and the challenge Updike's characters are presenting in this novel seem to me to be worth considering. What sort of response shall we give to a comment like the above? How observant of our religious principles are the majority of us here in the US, and what about the economic fallout of our national trade and security policies? I am not saying that I agree with the assessments of the characters in this novel, nor do I necessarily think we should assume Updike does. But it is a view that we might at least consider if we hope to come to peaceable terms with the billions of Muslims who are solid citizens of this and the world's other nations, and who have no hostile intentions.So, for me, the bottom line on Terrorist is that it's an important book that raises difficult questions that ought to be given some serious thought. We should be glad that Updike chose to write it.
62 of 72 people found the following review helpful. Good but doesn't quite live up to its promise By Galen K. Valentine Updike's, "Terrorist" is a timely novel. Newspapers and magazines are still full of the ebb and flow of terrorist and counter-terrorist operations. It is difficult for me, and by extension I think of American society in general, to understand why anyone would choose to become a suicide-bomber. Though they are only a fraction of the terrorists they are the most puzzling. So, I bought Updike's latest book on the strength of his reputation as a novelist and the reviews claiming his understanding of the radical mindset.On the surface the story is about a teenager, Ahmed, who embraces an austere form of Islam. His mother, perhaps feeling guilty about his father's departure, leaves him to his own devices. An intervention is clearly necessary to save Ahmed from his Imam and Updike chooses Mr. Levy, a sixtyish guidance counselor at Ahmed's high school. The story's trajectory predictably puts Ahmed and Mr. Levy together in the truck carrying the bomb.Scratch the surface though and you find...well, read on.Ahmed is largely unforgiving, except, illogically, to the father who abandoned him. He is unapologetic, never needing to justify his beliefs to others or even to himself. His isolation and social awkwardness are not the product of his own attitudes, but of everyone else's. In almost every way, Ahmed acts like any teenager, if a bit more radical. And that is the problem. Remove the radical Islamic element from the novel and you have a story of a generic teenager. If Updike is saying that suicide-bombers are just like "ordinary" people, with the same problems and fears, I think he missed the boat. There clearly is a difference. If there weren't, then suicide-bombers would be far more prevalent. What I had hoped for was a deeper understanding of why an Islamist would choose to commit suicide in a manner that kills as many other people as possible. Failing that, I would have liked to understand why Ahmed as an individual would make such a choice; his social problems aren't enough since so many other children of broken families face the same issues without making such a gruesome decision. I got neither.The story is structured to propel Ahmed, and by extension the reader, toward his violent final act - exit stage left. But we are robbed of even that. Surprise endings aren't bad. I like them. But only when they result in that, "Aha!" moment when all of the pieces fall together. This wasn't one of them. I felt blind-sided and left wondering just what the point of the book was.It might seem that I hated the book. I didn't. There were moments when I felt that Updike had looked into the soul of America and understood it. The scenes devoted to Mr. Levy and his wife are masterful. I just felt that he hadn't delivered on the promise of the book.Updike was, and still is, considered one of the premiere voices of American society. But, "Terrorist" showed me that he hasn't quite mastered the subtleties of another culture. In the final analysis, I'm not sure Updike understands suicide-bombers anymore than I do. He does put a more human face on them. And his writing is superb. In that respect, "Terrorist" is worth reading. But don't expect to gain a deeper insight into terrorism.
52 of 61 people found the following review helpful. guess I'm in the minority here By E.M. Bristol but I was a bit baffled by this book. For one thing, the writing was so uneven. There were beautiful, evocative descriptions of the New Jersey suburb, and then there was sexual metaphor that reminded me all too well why I avoid cheesy romance novels like the plague.I know this sounds incredibly presumptuous, but it seemed to me like Updike made a mistake a lot of first time novelists make by not trusting his reader enough. I think anyone who picks up a book like this can be expected to remember which character is obese, which is Jewish, which wears black jeans and white shirts, and which has gorgeous green eyes without it having to be hammered home throughout the book. Quite a few writers out there do seem rather enamored with the color of their protagonists' skin and eyes and so forth, but I for one would prefer more time to be devoted to developing their thoughts, feelings, personalities and motives. Especially motives. If a basically non-violent young man who is not a complete sheep is going to decide to carry out a suicide mission, it needs to be clearer what's going on inside his head. Updike gives us various motives, but none seems strong enough for him to decide to take such a militant course of action.As reviewers have mentioned the titular "terrorist" winds up being the most likeable character in the book, but he gets this by default. The other characters are inoffensive at best and repugnant at worst. True a character can be deeply flawed and likeable at the same time, but that did not really apply to any of the ones in this book. In fact, I consistently got the feeling that it wasn't really the protagonist who looked down on the Americans around him, it was Updike.
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